Lace Trim
Fashion in the period 1600-1650 in Western European clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. more...
Home
Art
Basketry
Bead Art
Candle & Soap Making
Ceramics, Pottery
Crafts Wholesale Lots
Crocheting
Cross Stitch
Decorative, Tole Painting
Drawing
Embroidery
Fabric
Fabric Embellishments
Bedazzler Tools & Studs
Buttons
Embroidered Patches
Fabric Appliques
Fabric Paint & Markers
Fabric Transfers
Fabric Trims
Beaded Trim
Cord Trim
Embroidered Trim
Eyelet Trim
Fringe Trim
Lace Trim
Ostrich, Feather Trim
Other Fabric Trims
Pom Pom Trim
Ribbon Trim
Flowers
Other Fabric Embellishments
Sequined & Beaded Appliques
Sequins
Tassels
Floral Crafts
Framing & Matting
General Art & Craft Supplies
Glass Art Crafts
Handcrafted Items
Kids Crafts
Knitting
Lacemaking, Tatting
Latch Rug Hooking
Leathercraft
Macramé
Metalworking
Mosaic
Needlepoint
Other Arts & Crafts
Painting
Paper Crafts & Origami
Quilting
Ribbon
Rubber Stamping & Embossing
Scrapbooking
Sewing
Shellcraft
Spinning
Upholstery
Wall Décor, Tatouage
Weaving
Woodworking
Yarn
Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
Overview
The silhouette, which was essentially close to the body with tight sleeves and a low, pointed waist to around 1615, gradually softened and broadened. Sleeves became very full, and in the 1620s and 1630s were often paned or slashed to show the voluminous sleeves of the shirt or chemise beneath. Waistlines rose.
Spanish fashions remained very conservative. The ruff lingered longest in Spain and Holland, but disappeared first for men and later for women in France and England.
The social tensions leading to the English Civil War were reflected in English fashion, with the elaborate French styles popular at the courts of James I and his son Charles I contrasting with the sober styles in sadd or somber colours favoured by Puritans and exported to the early settlements of New England (see below).
In the early decades of the century, a trend among poets and artists to adopt a fashionable pose of melancholia is reflected in fashion, where the characteristic touches are dark colours, open collars, unbuttoned gowns or doublets, and a generally disheveled appearance, accompanied in portraits by world-weary poses and sad expressions.
Fashions influenced by royal courts
Fabric and patterns
Figured silks with elaborate pomegranate or artichoke patterns are still seen in this period, especially in Spain, but a lighter style of scrolling floral motifs, woven or embroidered, was popular, especially in England.
The great flowering of needlelace occurred in this period. Geometric reticella deriving from cutwork was elaborated into true needlelace or punto in aria (called in England "point lace"), which also reflected the popular scrolling foral designs.
In England, embroidered linen jackets fastened with ribbon ties were fashionable for both men and women from c. 1600-1620, as was reticella tinted with yellow starch. Gowns with split sleeves (often trimmed with horizontal rows of braid) were worn by both men and women.
From the 1620s, surface ornament fell out of fashion in favour of solid-colour satins, and functional ribbon bows or points became elorate masses of rosettes and looped trim.
Read more at Wikipedia.org
|