Fringe Trim
1860s fashion in European and European-influenced clothing is characterized by extremely full-skirted women's fashions relying on crinolines and hoops and the emergence of "alternative fashions" under the influence of the Artistic Dress movement. more...
Home
Art
Basketry
Bead Art
Candle & Soap Making
Ceramics, Pottery
Crafts Wholesale Lots
Crocheting
Cross Stitch
Decorative, Tole Painting
Drawing
Embroidery
Fabric
Fabric Embellishments
Bedazzler Tools & Studs
Buttons
Embroidered Patches
Fabric Appliques
Fabric Paint & Markers
Fabric Transfers
Fabric Trims
Beaded Trim
Cord Trim
Embroidered Trim
Eyelet Trim
Fringe Trim
Lace Trim
Ostrich, Feather Trim
Other Fabric Trims
Pom Pom Trim
Ribbon Trim
Flowers
Other Fabric Embellishments
Sequined & Beaded Appliques
Sequins
Tassels
Floral Crafts
Framing & Matting
General Art & Craft Supplies
Glass Art Crafts
Handcrafted Items
Kids Crafts
Knitting
Lacemaking, Tatting
Latch Rug Hooking
Leathercraft
Macramé
Metalworking
Mosaic
Needlepoint
Other Arts & Crafts
Painting
Paper Crafts & Origami
Quilting
Ribbon
Rubber Stamping & Embossing
Scrapbooking
Sewing
Shellcraft
Spinning
Upholstery
Wall Décor, Tatouage
Weaving
Woodworking
Yarn
In men's fashion, the three-piece ditto suit of sack coat, waistcoat, and trousers in the same fabric emerged as a novelty.
Women's fashions
Gowns
By the early 1860s, skirts had reached their ultimate width. After about 1862 the silhouette of the crinoline changed and rather than being bell-shaped it was now flatter at the front and projected out more behind.
Day dresses featured wide pagoda sleeves worn over undersleeves or engageantes. High necklines with lace or tatted collars or chemisettes completed the demure daytime look.
Evening dresses had low necklines and short sleeves, and were worn with short gloves or lace or crocheted fingerless mitts. Large crinolines were probably reserved for balls, weddings and other special occasions.
Skirts were now assembled of shaped panels, since gathering a straight length of fabric could not provide the width required at the hem without unwanted bulk at the waist; this spelled the end of the brief fashion for border-printed dress fabrics.
Heavy silks in solid colors became fashionable for both day and evening wear, and a skirt might be made with two bodices, one long-sleeved and high necked for afternoon wear and one short-sleeved and low-necked for evening.
As the decade progressed, sleeves narrowed, and the circular hoops of the 1850s decreased in size at the front and sides and increased at the back. Looped up overskirts revealed matching or contrasting underskirts, a look that would reach its ultimate expression the next two decades with the rise of the bustle. Waistlines rose briefly at the end of the decade.
Fashions were adopted more slowly in America than in Europe. It was not uncommon for fashion plates to appear in American women's magazines a year or more after they appeared in Paris or London.
Outerwear
Long coats were impractical with the very full skirts, and the common outer garments were square shawls folded on the diagonal to make a triangle and fitted or unfitted hip-length or knee-length jackets.
Three-quarter-length capes (with or without sleeves) were also worn.
For walking, jackets were accompanied by floor-length skirts that could be looped or drawn up by means of tapes over a shorter petticoat.
Riding habits had fitted jackets with long sleeves, worn over a collared shirt or (more often) chemisette. They were worn with long skirts and mannish top hats.
Read more at Wikipedia.org
|